Tuesday, March 19, 2019
Julia Ward Howe VS John Steinbeck :: essays research papers
Julia Ward Howe VS John SteinbeckMine eyes have seen the glory, be the words that begin The Battle Hymn of the Republic. A verse that is just about being virtuous and about an unrelenting faith in god. The Grapes of angriness is a novel indite by John Steinbeck that portrays 1930s and the majuscule Depression. The styles and form of writing and portraying themes argon different. Julia chose to write lyrics for a atmosphere that was well known while John chose to write a legion(predicate) page book. Both The Battle Hymn of the Republic and The Grapes of Wrath are works that were made to inspire the reader or singer to bear on forward.To understand the hymn it is important to understand its origin. This is difficult because historians must lift the origins of the lyrics and the melody. Both authors have yet to be proven in their identity. The lyrics were pen by Julia Ward Howe. This fact is something that they are sure of. The melody however, even-tempered remains a myster y to many people. Historians have successfully traced the song to John Browns Body. This piece was first published in 1858. It had been sung in many versions for a large amount of era during the Civil War. And soon thru-out the Sunny South the slaves shall all be palliate are lyrics that were used by the black regiments. As music researches looked deeper into the song, they entrap that john Browns Body had an extreme melodic similarities to an sure-enough(a) revival hymn. This hymn was entitled Say, Brother, Will You Meet Us. The earliest written verses appeared in 1858. The first copyright was registered on November 27th 1858, by G. S. Scofield in New York City (Allen 1).Lieutenant Chandler, in writing of Shermans March to the Sea, tells that when the promenade were halted at Shady Dale, Georgia, the regimental band played John Browns Body, whereupon a itemize of Negro girls coming from houses supposed to have been deserted, formed a grade around the band, and in a solemn and dignified manner danced to the tune. The Negro girls, with faces grave and demeanor characteristic of having performed a ceremony of religious tenor, retired to their cabins.
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